Performer: Miles Davis
Title: Kind Of Blue
Label: Columbia
Country: US
Released: 1959
Style: Modal
Cat: CS 8163
Rating: 4.6/5
Format: MP3, FLAC, WMA
FLAC size: 1377 mb | MP3 size: 2998 mb | WMA size: 1104 mb

Genre: Jazz

• Alto Saxophone – Julian "Cannonball" Adderley (tracks: 1, 2, 4 to 6)
• Art Direction [Reissue] – Cozbi Sanchez-Cabrera
• Bass – Paul Chambers
• Compilation Producer [Columbia Jazz Reissue Series] – Kevin Gore, Steve Berkowitz
• Coordinator [A & R] – Patti Matheny
• Design [Reissue] – Randall Martin
• Directed By [Project Director] – Seth Rothstein
• Drums – Jimmy Cobb
• Engineer [Recording] – Fred Plaut
• Engineer [Remix] – Mark Wilder
• Management [Packaging] – Jennifer Ebert
• Photography By – Don Hunstein
• Photography By [Cover Photo] – Jay Maisel
• Piano – Bill Evans (tracks: 1, 3 to 6), Wynton Kelly (tracks: 2)
• Producer [Original Recording] – Irving Townsend
• Producer [Production Assistance] – Rene Arsenault
• Reissue Producer – Michael Cuscuna
• Tenor Saxophone – John Coltrane
• Trumpet, Composed By – Miles Davis

• Alto Saxophone – Julian Adderly (tracks: A1, A2, B1, B2)
• Bass – Paul Chambers
• Drums – James Cobb
• Engineer [Digital Remix] – Larry Keyes
• Piano – Bill Evans (tracks: A1, A3 to B2)
• Producer, Producer [Digital Remix] – Teo Macero
• Remastered By – Vlado Meller
• Tenor Saxophone – John Coltrane
• Trumpet, Leader – Miles Davis

• Alto Saxophone – Julian Adderley (tracks: A1, A2, B1, B2)
• Bass – Paul Chambers
• Drums – Jimmy Cobb
• Liner Notes – Bill Evans
• Piano – Bill Evans (tracks: A1, A3 to B2), Wynton Kelly (tracks: A2)
• Tenor Saxophone – John Coltrane
• Trumpet – Miles Davis

• Alto Saxophone – Cannonball Adderley
• Bass – Paul Chambers
• Drums – Jimmy Cobb
• Engineer [Remix] – Mark Wilder
• Photography By [Cover Photo] – Jay Maisel
• Piano – Bill Evans, Wynton Kelly
• Producer [Original Recording] – Cal Lampley, Irving Townsend
• Reissue Producer – Michael Cuscuna
• Tenor Saxophone – John Coltrane
• Trumpet, Composed By – Miles Davis

• Alto Saxophone – Julian Adderley (tracks: A1, A2, B1, B2)
• Bass – Paul Chambers
• Drums – James Cobb
• Lacquer Cut By – KG, MZ
• Liner Notes – Bill Evans
• Piano – Bill Evans (tracks: A1, A3, B1, B2), Wynton Kelly (tracks: A2)
• Tenor Saxophone – John Coltrane
• Trumpet – Miles Davis
• Written-By – M. Davis

Legacy Vinyl
Includes original artwork and 180-gram heavyweight audiophile vinyl.
Premium Vinyl Pressing
HQ-180Barnes & Noble Exclusive 50th Anniversary Collector's Edition Two-sided T-Shirt & 2-CD Set

Legacy Edition
Official 2-CD 50th Anniversary Deluxe Set

The complete studio sessions with over 2 hours of audio including false starts, alternate takes, studio dialogue, and non-album tracks

Features previously unreleased material including a 17-min. long version of "So What"

24-Page Deluxe Booklet contains detailed liner notes alongside rare, unforgettable images, and Grammy-nominated essay Kind of Blue at 50 by Francis Davis

Additional Liner Notes included as an extensive digital booklet on CD 1

Tracks 9-12,14,15 previously unreleased

cd's are presented on a three-fold digipack (one fold being a cardboard sleeve with the booklet + 2 digipack slots for the cd's)Recorded 02/03/1959 and 22/04/1959.

Promo stereo 6-eye labels.

Both cover and side two of album are mislabeled.

Songs are in correct running order.Columbia
Stereo
Cassette

Back of J-card is plain.For most Columbia sessions of the fifties and sixties, the music was taped simultaneously on two different machines. At the first Kind Of Blue session, which produced the three songs on side one of the LP, one of the three-track machines was running slightly slow. As it happens, the master takes used on the LP were pulled from the reels recorded on that machine. As a result, the first three tunes always appeared in sharp pitch until the gold Mastersound edition of this album. Here we have included the music as the musicians played it (newly remixed), and the only complete alternate take from these historic sessions.

Track 6 is a bonus track not on original LP.

Recorded at Columbia 30th Street Studio, New York City on March 2, 1959 (tracks 1 to 3) and April 22, 1959 (tracks 4 to 6).

Remixed from the original three-track tapes at Sony Music Studios, using a Presto all-tube, three-track recorder.

Remastered using Super Bit Mapping (SBM™) technology.

℗ 1997 & © 2010 Sony Music Entertainment.
Made in the EU. (disc, packaging)

Comes in a Discbox Slider (DBS) case without booklet, credits taken from the packaging.Recorded 3/2/59 and 4/22/59 in New York City.

The album features Davis's ensemble sextet consisting of saxophonists John Coltrane and Julian Cannonball Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track in place of Evans. PIAS, SME от лица компании Diggers Factory AMRA, EMI Music Publishing, LatinAutor - Warner Chappell, LatinAutor, LatinAutor - UMPG, PEDL, Kobalt Music Publishing, LatinAutor - SonyATV, ASCAP и другие авторские общества 20. Формируйте собственную коллекцию записей Miles Davis. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Why does Kind of Blue posses such a mystique Perhaps it's that this music never flaunts its genius. Общая длительность:1 h 51 min. CS 8163. 7 октября 2008 года он в четвёртый раз получил сертификат платинового диска от Американской ассоциации звукозаписывающих компаний. Blue in Green. Продать эту версию. Best jazz album, ever. Kind of Blue. Listen free to Miles Davis Kind of Blue So What, Freddie Freeloader and more. Kind Of Blue. KLP893, KLP-893, KLP - 893. Kind of Blue is a studio album by American jazz musician Miles Davis, released on August 17, 1959, by Columbia Records. Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. Miles Davis. FAIXAS: 1 So What 2 Freddie Freeloader 3 Blue in Green 4 All Blues 5 Flamenco Sketches 6Flamenco Sketches alternative take PEQUENA HISTÓRIA DO ALBUM. In part owing. It lures listeners in with the slow, luxurious bassline. 5 tracks 36:05. The album features Davis's ensemble sextet consisting of saxophonists John Coltrane and Julian Cannonball Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track in place of Evans. When Miles Davis visited the UK in the autumn of 1960, there was no big fanfare about his recently released album Kind of Blue. What is this strange blue glow-as mysterious as Mona Lisas smile Miles said that he had wanted to draw closer to African and Gospel music as well as the blues, but admitted that he had failed in this intention. Miles Davis 22-01-2010. Recording sessions for the of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz - an accepted work of greatness that's innovative and entertaining. Многие музыкальные критики упоминают Kind of Blue не только как наиболее успешный в коммерческом отношении альбом Дэвиса, но и как самую продаваемую джазовую запись всех времён. Kind of blue. Kind of Blue is a studio album by American jazz trumpeter Miles Davis. Listen album. of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. Язык: Русский. Страна: США. SME LatinAutor, Kobalt Music Publishing, Muserk Rights Management и другие авторские общества 18. Why does Kind of Blue posses such a mystique Perhaps it's that this music never flaunts its genius. Sorry, something went wrong. LatinAutor, Kobalt Music Publishing, AMRA, UMPI и другие авторские общества 10. But Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. Davis - Kind Of Blue 1959. Language: English US. Nonetheless, he created his most indisputable masterpiece, containing two of the most popular standards of modern jazz, So What and All Blues. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. Jazz 1959. His band played a mixture of pop standards and bebop originals by Charlie Parker, Thelonious Monk, Dizzy Gillespie, and Tadd Dameron. Legal Privacy Cookies Imprint Creator Resources Blog Charts Popular searches. Kind Of Blue - Miles Davis. Miles Davis - Kind Of Blue 1959. By late 1958, Davis employed one of the best and most profitable working bands pursuing the hard bop style. To favorites 65 Download album. His personnel had become stable: alto saxophonist Cannonball Adderley, tenor saxophonist John Coltrane, pianist Bill Evans, long-serving bassist Paul Chambers, and drummer Jimmy Cobb. To be reductive, it's the Citizen Kane of jazz - an accepted work of greatness that's innovative and entertaining. For the last time, Miles called back the pianist who had just left his quintet, and it was Evans harmonic conceptions, inspired by early 20th century European music, that dominated Kind Of Blue. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. The trumpeter played now-lost venues such as the Gaumont Palace cinemas in Kilburn and. 5 tracks 35:46. Bassist Paul Chambers from the first quintet remained on board, as did John Coltrane, whom Davis had fired, then rehired after the tenor giant kicked his drug addiction and experienced a spiritual and creative rebirth. Kind Of Blue LP, Album, MPrint, Ter. Многими критиками он рассматривается как величайший джазовый альбом всех времён и шедевр Дэвиса. He also borrowed from Bill Evans, the principal creator of this album, the kind of blue that is reflected in Blue In Green. Next up. 5 tracks 44:22. The trumpeter played now-lost venues such as the Gaumont Palace cinemas in Kilburn and Lewisham, London starting and ending his sets with songs from the album and at the time, he told a friend of my fathers, a promoter called Jim Ireland who was