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Miles Davis - Kind Of Blue Album
Miles Davis - Kind Of Blue Album
Performer: Miles Davis
Title: Kind Of Blue
Label: Columbia
Country: US
Released: 1959
Style: Modal
Cat: CS 8163
Rating: 4.6/5
Format: MP3, FLAC, WMA
FLAC size: 1377 mb | MP3 size: 2998 mb | WMA size: 1104 mb
Genre: Jazz
Tracklist

1Blue In Green
2All Blues
3So What
4Freddie Freeloader
5Flamenco Sketches

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
CL 1355Miles Davis Kind Of Blue ‎(LP, Album, Mono)ColumbiaCL 1355US1959
BPG 62066Miles Davis Kind Of Blue ‎(LP, Album, RE)CBSBPG 62066UKUnknown
CK-8163Miles Davis Kind Of Blue ‎(CD, Album, RE)CBS ColumbiaCK-8163Canada1984
PC 8163, KCS 8163Miles Davis Kind Of Blue ‎(LP, Album, RE)Columbia, ColumbiaPC 8163, KCS 8163US1977
VCK-40579Miles Davis Kind Of Blue ‎(CD, Album, RM, RP)ColumbiaVCK-40579CanadaUnknown
CategoryArtistTitle (Format)LabelCategoryCountryYear
CL 1355Miles Davis Kind Of Blue ‎(LP, Album, Mono)ColumbiaCL 1355US1959
PCT 8163Miles Davis Kind Of Blue ‎(Cass, Album)ColumbiaPCT 8163USUnknown
BPG 62066Miles Davis Kind Of Blue ‎(LP, Album, RE)CBSBPG 62066UKUnknown
CK-8163Miles Davis Kind Of Blue ‎(CD, Album, RE)CBS ColumbiaCK-8163Canada1984
PC 8163, KCS 8163Miles Davis Kind Of Blue ‎(LP, Album, RE)Columbia, ColumbiaPC 8163, KCS 8163US1977

Credits

  • Alto SaxophoneJulian "Cannonball" Adderley (tracks: 1, 2, 4 to 6)
  • Art Direction [Reissue]Cozbi Sanchez-Cabrera
  • BassPaul Chambers
  • Compilation Producer [Columbia Jazz Reissue Series]Kevin Gore, Steve Berkowitz
  • Coordinator [A & R]Patti Matheny
  • Design [Reissue]Randall Martin
  • Directed By [Project Director]Seth Rothstein
  • DrumsJimmy Cobb
  • Engineer [Recording]Fred Plaut
  • Engineer [Remix]Mark Wilder
  • Management [Packaging]Jennifer Ebert
  • Photography ByDon Hunstein
  • Photography By [Cover Photo]Jay Maisel
  • PianoBill Evans (tracks: 1, 3 to 6), Wynton Kelly (tracks: 2)
  • Producer [Original Recording]Irving Townsend
  • Producer [Production Assistance]Rene Arsenault
  • Reissue ProducerMichael Cuscuna
  • Tenor SaxophoneJohn Coltrane
  • Trumpet, Composed ByMiles Davis
  • Alto SaxophoneJulian Adderly (tracks: A1, A2, B1, B2)
  • BassPaul Chambers
  • DrumsJames Cobb
  • Engineer [Digital Remix]Larry Keyes
  • PianoBill Evans (tracks: A1, A3 to B2)
  • Producer, Producer [Digital Remix]Teo Macero
  • Remastered ByVlado Meller
  • Tenor SaxophoneJohn Coltrane
  • Trumpet, LeaderMiles Davis
  • Alto SaxophoneJulian Adderley (tracks: A1, A2, B1, B2)
  • BassPaul Chambers
  • DrumsJimmy Cobb
  • Liner NotesBill Evans
  • PianoBill Evans (tracks: A1, A3 to B2), Wynton Kelly (tracks: A2)
  • Tenor SaxophoneJohn Coltrane
  • TrumpetMiles Davis
  • Alto SaxophoneCannonball Adderley
  • BassPaul Chambers
  • DrumsJimmy Cobb
  • Engineer [Remix]Mark Wilder
  • Photography By [Cover Photo]Jay Maisel
  • PianoBill Evans, Wynton Kelly
  • Producer [Original Recording]Cal Lampley, Irving Townsend
  • Reissue ProducerMichael Cuscuna
  • Tenor SaxophoneJohn Coltrane
  • Trumpet, Composed ByMiles Davis
  • Alto SaxophoneJulian Adderley (tracks: A1, A2, B1, B2)
  • BassPaul Chambers
  • DrumsJames Cobb
  • Lacquer Cut ByKG, MZ
  • Liner NotesBill Evans
  • PianoBill Evans (tracks: A1, A3, B1, B2), Wynton Kelly (tracks: A2)
  • Tenor SaxophoneJohn Coltrane
  • TrumpetMiles Davis
  • Written-ByM. Davis

Notes

Legacy Vinyl
Includes original artwork and 180-gram heavyweight audiophile vinyl.
Premium Vinyl Pressing
HQ-180Barnes & Noble Exclusive 50th Anniversary Collector's Edition Two-sided T-Shirt & 2-CD Set

Legacy Edition
Official 2-CD 50th Anniversary Deluxe Set

The complete studio sessions with over 2 hours of audio including false starts, alternate takes, studio dialogue, and non-album tracks

Features previously unreleased material including a 17-min. long version of "So What"

24-Page Deluxe Booklet contains detailed liner notes alongside rare, unforgettable images, and Grammy-nominated essay Kind of Blue at 50 by Francis Davis

Additional Liner Notes included as an extensive digital booklet on CD 1

Tracks 9-12,14,15 previously unreleased

cd's are presented on a three-fold digipack (one fold being a cardboard sleeve with the booklet + 2 digipack slots for the cd's)Recorded 02/03/1959 and 22/04/1959.

Promo stereo 6-eye labels.

Both cover and side two of album are mislabeled.

Songs are in correct running order.Columbia
Stereo
Cassette

Back of J-card is plain.For most Columbia sessions of the fifties and sixties, the music was taped simultaneously on two different machines. At the first Kind Of Blue session, which produced the three songs on side one of the LP, one of the three-track machines was running slightly slow. As it happens, the master takes used on the LP were pulled from the reels recorded on that machine. As a result, the first three tunes always appeared in sharp pitch until the gold Mastersound edition of this album. Here we have included the music as the musicians played it (newly remixed), and the only complete alternate take from these historic sessions.

Track 6 is a bonus track not on original LP.

Recorded at Columbia 30th Street Studio, New York City on March 2, 1959 (tracks 1 to 3) and April 22, 1959 (tracks 4 to 6).

Remixed from the original three-track tapes at Sony Music Studios, using a Presto all-tube, three-track recorder.

Remastered using Super Bit Mapping (SBM™) technology.

℗ 1997 & © 2010 Sony Music Entertainment.
Made in the EU. (disc, packaging)

Comes in a Discbox Slider (DBS) case without booklet, credits taken from the packaging.Recorded 3/2/59 and 4/22/59 in New York City.

Album

The album features Davis's ensemble sextet consisting of saxophonists John Coltrane and Julian Cannonball Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track in place of Evans. PIAS, SME от лица компании Diggers Factory AMRA, EMI Music Publishing, LatinAutor - Warner Chappell, LatinAutor, LatinAutor - UMPG, PEDL, Kobalt Music Publishing, LatinAutor - SonyATV, ASCAP и другие авторские общества 20. Формируйте собственную коллекцию записей Miles Davis. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Why does Kind of Blue posses such a mystique Perhaps it's that this music never flaunts its genius. Общая длительность:1 h 51 min. CS 8163. 7 октября 2008 года он в четвёртый раз получил сертификат платинового диска от Американской ассоциации звукозаписывающих компаний. Blue in Green. Продать эту версию. Best jazz album, ever. Kind of Blue. Listen free to Miles Davis Kind of Blue So What, Freddie Freeloader and more. Kind Of Blue. KLP893, KLP-893, KLP - 893. Kind of Blue is a studio album by American jazz musician Miles Davis, released on August 17, 1959, by Columbia Records. Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. Miles Davis. FAIXAS: 1 So What 2 Freddie Freeloader 3 Blue in Green 4 All Blues 5 Flamenco Sketches 6Flamenco Sketches alternative take PEQUENA HISTÓRIA DO ALBUM. In part owing. It lures listeners in with the slow, luxurious bassline. 5 tracks 36:05. The album features Davis's ensemble sextet consisting of saxophonists John Coltrane and Julian Cannonball Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track in place of Evans. When Miles Davis visited the UK in the autumn of 1960, there was no big fanfare about his recently released album Kind of Blue. What is this strange blue glow-as mysterious as Mona Lisas smile Miles said that he had wanted to draw closer to African and Gospel music as well as the blues, but admitted that he had failed in this intention. Miles Davis 22-01-2010. Recording sessions for the of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz - an accepted work of greatness that's innovative and entertaining. Многие музыкальные критики упоминают Kind of Blue не только как наиболее успешный в коммерческом отношении альбом Дэвиса, но и как самую продаваемую джазовую запись всех времён. Kind of blue. Kind of Blue is a studio album by American jazz trumpeter Miles Davis. Listen album. of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. Язык: Русский. Страна: США. SME LatinAutor, Kobalt Music Publishing, Muserk Rights Management и другие авторские общества 18. Why does Kind of Blue posses such a mystique Perhaps it's that this music never flaunts its genius. Sorry, something went wrong. LatinAutor, Kobalt Music Publishing, AMRA, UMPI и другие авторские общества 10. But Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. Davis - Kind Of Blue 1959. Language: English US. Nonetheless, he created his most indisputable masterpiece, containing two of the most popular standards of modern jazz, So What and All Blues. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. Jazz 1959. His band played a mixture of pop standards and bebop originals by Charlie Parker, Thelonious Monk, Dizzy Gillespie, and Tadd Dameron. Legal Privacy Cookies Imprint Creator Resources Blog Charts Popular searches. Kind Of Blue - Miles Davis. Miles Davis - Kind Of Blue 1959. By late 1958, Davis employed one of the best and most profitable working bands pursuing the hard bop style. To favorites 65 Download album. His personnel had become stable: alto saxophonist Cannonball Adderley, tenor saxophonist John Coltrane, pianist Bill Evans, long-serving bassist Paul Chambers, and drummer Jimmy Cobb. To be reductive, it's the Citizen Kane of jazz - an accepted work of greatness that's innovative and entertaining. For the last time, Miles called back the pianist who had just left his quintet, and it was Evans harmonic conceptions, inspired by early 20th century European music, that dominated Kind Of Blue. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. The trumpeter played now-lost venues such as the Gaumont Palace cinemas in Kilburn and. 5 tracks 35:46. Bassist Paul Chambers from the first quintet remained on board, as did John Coltrane, whom Davis had fired, then rehired after the tenor giant kicked his drug addiction and experienced a spiritual and creative rebirth. Kind Of Blue LP, Album, MPrint, Ter. Многими критиками он рассматривается как величайший джазовый альбом всех времён и шедевр Дэвиса. He also borrowed from Bill Evans, the principal creator of this album, the kind of blue that is reflected in Blue In Green. Next up. 5 tracks 44:22. The trumpeter played now-lost venues such as the Gaumont Palace cinemas in Kilburn and Lewisham, London starting and ending his sets with songs from the album and at the time, he told a friend of my fathers, a promoter called Jim Ireland who was

Video

Comments (21)
Anaragelv
Can anyone tell me why there are different running times in some songs depending on the edition?
Pringles
Disapointed-Bought this used and it looked like it had been played once-now I know why. Unlistenable garbage!
Foginn
If you know someone who has a Music Hall WCS 3 Vaccum, run it under that and you will notice a very clear difference. Sorry about your experience.
JOGETIME
My copy sounds incredible. Not having any of the experience that others seem to be having. Bill Evans' piano in particular souinds unreal. And somehow feels heavier than 180g vinyl. It is solid and weighty, and as such sounds just superb.
LeXXXuS
not worth it i have 2 copys with a scratching sound in the same spot of the song all blues and what scares me is they were bought in las vegas and 1 in new york both had the same problem same part in the song,,,, such a waste
Frlas
So judging from the comments the production of this release is very hit & miss , such a shame , was looking to get this release , but will leave it , don't really need a brand new record with crackles , pops & background noise !
Mamuro
Im pretty sure its mostly good, only a few bad apples.
Browelali
Is this version speed-corrected?(Extra words placed here to meet word count minimum)
net rider
You will find probably the answer here : https://www.youtube.com/watch?v=rm7l57TfOjY Regards
The_NiGGa
I think all are since the 90s except for the Classic Records ones.
Jogrnd
My copy of this release has modest surface noise with occasional clicks and pops (not cleaned). This pressing has great bottom end and a clear, natural tone. The sound stage is moderately wide with good separation. Instruments sound clean and natural. The overall sound is warm and high frequencies are crisp without being bright. This is an amazing album and this release does it justice. (Rega Planar 3, Exact 2 cart, PSE Studio SL, Linn LK85, Linn interconnects, Linn Katans)
Uaha
Wonderful pressing of this MASTERPIECE, nice soundstage, resolution and silent.Cheers
Naril
It seems like this one flew under the radar. Normally a record mastered by Kevin Gray would receive lots of press and accolades, but this one is almost a hidden treasure.
snowball
My album sounds a little noisy, even though the soundstage sounds super. I've cleaned it, but still has a few crackles and little pops.
Gogul
I'm having issues with this one. The Coltrane and Kelly solos on "Freddie Freeloader" have, what seem to me, to be digital artifacts. As if there were issues in the mastering process. It sounds like slight metallic feedback and additional crackle noise (the record is Mint condition, so, no chance of this being attributed to dust).
Coiriel
A bunch of these have stickers for a Journey "Greatest Hits" album. Does anybody know if those are the 180g version or the normal version?
Darkshaper
So good for the price. Get it.
Feri
Fantastic and silent pressing! Worth the ~$15
Meri
This pressing sounds superb. Great buy.
Trex
Excellent pressing of this classic jazz album. Legacy (Columbia) reissues are always done in pristine quality. I know it exists the mono version, but I first listened to this gem on stereo. Timeless.
Stan
Should be included in every record collection!